1.Kedakari from Raavanan
2.Mayil irage from ah aah
3.Anbil Avan from VTV
4.Maduraiku from ATM
5.Kadal Raasa Naan from Mariyan
6.Omana Penne from VTV
7.Yaaro Yarodi from Alaipayudhey
Rahman,the first music director to add more western technologies to the Indian music. Eventually, he never failed to celebrate our Indian instruments. He always does epic fusion of western and traditional music.
I also found many Nadaswaram interludes scored for the scenes. Yenge enadhu kavidhai, Enna solla pogirai from Kandukonden Kandukonden, Sangamam, Baba, chikku bukku raile from Gentleman, Vetrikodi kattu from Padayyapa ,These song notes were played in nadaswaram inbetween the scenes. Initially I decided to add up them but due to the long time duration I didn't add them. This was planned in the month of April but I wasn't able to make a video.
Plug the earphones and experience the intrigue❤.
Nadaswaram is the loudest non-brass acoustic instrument. Many of us know that it is considered as an auspicious instrument, particularly in South India.Nadaswaram and Thavil were mostly used in only scoring traditional and devotional songs of Tamil Movies.
Rahman mixed up new idealogies. He uses them in all kind of situations, in all genres like traditional, folk,celebration,pain and Love. More than any other songs, these songs brings us goosebumps and kinda native feeling ❤.
Some of the songs may sound very digital but they are actually Nadaswaram. ARR took the efforts to record them more sharper. Accuracy level 💯🔥.
No wonder he is called as "Mozart of Madras" and "ISAI PUYAL"❤
My most favourite songs of Nithyasree Mahadevan from the Tamil cinema Music.
1. Sowkiyamma from Sangamam
2. Minsara Poove from Padayyappa
3. Kannodu Kanbathellam from jeans.
Composition:
1. Sowkiyamma Kanne song is based on the raaga 'Maand'. The origin of this Raaga is not yet clarified. Some of them say it is from Hindusthani and some say it is from Carnatic. It is mostly used to convey the feeling of 'Missing'
End portion of this song ❤️
2. Minsaara Poove song is based on the raaga Vasantha. The festive and vibrant Raaga. The konnakol and Sangadhi portion together at the last, Whoa ! Breathtaking !💯🔥
3. Kannodu Kanbathellam song of based on the raaga Abheri with the influence of Shudhdha Dhanyasi.
The Swaram composition in the end portion ❤️.
ARR and Nithyasree Combination:
ARR knows more about Hindhustani music and Nithyasree is famous for Carnatic rendition. This collaboration, a perfect example for Traditional Indian Music. A fusion of Hindhusthani, Carnatic and western.
Nithyasree mam, my most favourite Carnatic singer. Grand daughter and disciple of D.K.Pattamal who is one among the female Carnatic Trinity.
It's always an excitement to listen her collaborated songs with ARR.
Such a magnetic voice which never fails to attract all kind of music lovers.
ARR brought out her complete potential. Though she have done so many Carnatic stage programs, these songs have took her to another level. He never failed to extract her complete talent. Swaram, Sangadhi, Jathi, Konakkol and what not ?!
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